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Grateful Dead Live at Sphinx Theatre on 1978-09-15


Topics Audience, LMPP, SIRMick


Set 1

Ollin Arrageed ->
The Promised Land
Friend Of The Devil
Mama Tried ->
Big River
Loser
I Need A Miracle
Stagger Lee

Set 2

Jack Straw
Ship Of Fools
Estimated Prophet ->
Eyes Of The World ->
Drums ->
Space ->
Terrapin Station ->
Sugar Magnolia


Collection GratefulDead
Band/Artist Grateful Dead
Venue Sphinx Theatre
Location Giza, Egypt

Source 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder
Lineage 1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH
Taped by anonymous
Transferred by anonymous and SIRMick

Notes

- most tracks have been pitch corrected
- gain boosted in right channel by varying amounts to make the sound more central
- the tape was paused on a number of occasions betweeen tracks, crossfaded have been put in
- d1t01, the first 9:14 have been patched in. The sound is muffled from 9:14 until 11:36 and then improves from there on.
- d2t04, the left channel completely dropped out for the last 30 seconds. To preserve the ambience of the audince
recording the left channel of the patch source and the right channel of this recording have been matrixed to form a
new left channel and patched in. It works better than just using the soundboard source.
- d2t05, the left channel completely dropped out for the first 9:45. The same method, as for d2t04, was used to create a
new left channel. The remainder of this track was completely missing and has been patched in
- d3t01, first 3:47 was missing and has been patched in. The next 17 seconds had a complete dropout in the left channel,
The same method, as for d2t04, was used to create a new left channel

patch source: SBD -> Master Reel -> PCM -> Dat (44.1k) shnid 87782

-* d2t01 and d2t02 are from different sources to the rest of the show
- Disc 2 requires an overburn

Comments:

- This is a stealth recording and although the balance between channels is somewhat variable, the sound is very good
----------------------------------------------------------

- Taped and transferred anonymous Source

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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
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Source: Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard.
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
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Source: Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename